Built for the Big Night
A film premiere is a theatre before the film even starts. The arrival, the carpet, the wall of flashbulbs that’s what we build. We produce and install media walls, branded entrances, red-carpet runs, themed set pieces, and full-venue dressing for premieres and screening events across the UK.
Media Walls & Red Carpet Moments
We print media walls on our own premises where over 95% of our large-format print is produced and then mount and install them by the same team, with logo spacing and colour checked. Branded archways, entrance structures and carpet runs are built to handle British weather and a few hundred guests.
Themed Sets & Photo Moments
Want a set construction for television and live events or the imaginative stuff: props and scenic pieces lifted from the film’s world, immersive photo moments in the foyer, and character displays that give the press something beyond the carpet? We can handle that, too.
In Overnight, Out by Morning
Premieres happen in working cinemas, and working cinemas don’t stop selling tickets. We install in hours usually overnight or in the morning of the event and strike the same night, leaving the venue ready for the next day’s screenings. The date never moves, so neither do we.
Screenings & Touring Events
One night in Leicester Square or a screening tour across five cities either works. Touring kits are designed to pack down, travel and rebuild quickly, with our crew handling every stop. If there’s a release date on your calendar, get in touch, and we’ll make sure the night looks the part.
Built For The Cameras
Premiere installations must look premium. They must seem exceptional from every angle, and this is what we do. We create media walls, scenic features and branded displays designed to stand out under professional lighting, photography and live broadcast coverage.
Have Any Questions?
Find Answers Here!
Media walls, branded entrances and archways, red carpet runs, photo backdrops, themed scenic pieces, Q&A stages and full venue dressing inside and out. Essentially, everything the cameras will see before the film starts.
Fast — most premieres are one-night events in working cinemas, so we install in hours, often overnight or on the morning of the event, and strike the same night once the last guest leaves. The venue is back to normal for the next day’s screenings.
Yes. Over 95% of our large format print is produced at our own premises, so media walls, step-and-repeat boards and backdrops are printed, mounted and installed by one team — with colour and logo placement checked before anything leaves the workshop.
That’s the fun part. Our set construction background means props, oversized set pieces and immersive photo moments drawn from the film’s world are well within reach — great for press coverage and fan photos alike.
Yes. Artwork, titles and creatives are kept under wraps until the night — NDAs are standard practice for us, and much of our best work never makes it onto our website for exactly that reason.
We do. Branded entrance structures, carpet runs, hoarding and screening for outdoor arrival areas are all part of the job, built with weather and crowd flow in mind.
Yes. London’s Leicester Square may be the natural home of the UK premiere, but we deliver screening events and regional premieres nationwide from our Buckinghamshire workshop.
Absolutely. For multi-city screening tours, we build the kit once, design it to pack and travel, and our crew installs and strikes it at every stop.
Release date booked?
Tell us the venue and the night, and we’ll handle what the cameras see. Call or email